Overview

The Photography Exhibition: The Time and the Instant – Genesis of a Work

Laura Veschi followed Filippo Tincolini throughout the creation of the monument dedicated to Leonardo da Vinci.

Her photographs reveal the time of sculpture. This is a time that does not coincide with mere duration, but with responsibility. In marble working, every gesture is final. Every subtraction is irreversible. In this sense, the process is never neutral: it is always a stance, a choice that cannot be withdrawn.

Laura Veschi's photographs capture this tension while maintaining a respectful gaze remaining close to the material, the surfaces, and the thresholds where form begins to emerge but is not yet complete.

The choice of black and white accentuates this approach; each photograph serves as an entry point into the genesis of the work, a fragment that reveals what normally remains invisible. It is not the work as a finished result, but the work in the making.

 
  
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